{"title":"Publisher: Set Margins'","description":null,"products":[{"product_id":"the-design-comedy","title":"The Design Comedy","description":"\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDesign is a hellmouth of disappointment and a harrowing pit of professional failure. In this paraphrase of Dante’s \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDivine Comedy\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, Otto von Busch, a pitiful design professor, searches for the design workshop at Parsons. Proving inaccessible, the lost professor falls into despair. However, a recently fired workshop technician, Virgil, appears to know the way. 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What we need are alternative frameworks or mindsets for decision making that consider solutions along with their risks and implications, while incorporating a diversity of both disciplinary and human viewpoints.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb:md-0 md:order-2 md:col-6 mb-6\"\u003e\n\u003cp class=\"mb-4\"\u003eDesign Fiction is a method to vividly render tangible futures by creating material artifacts that represent the implications of change. Design Fiction is as much a mindset as it is a methodology whereby foresight, research, expectations, strategic direction, and planning can be cohered into representational ‘artifacts from possible futures.’from possible futures. Design fiction opens up new conversations and considerations whilst augmenting existing, well-trodden research and foresight practices.\u003c\/p\u003e\n\u003cp\u003eOver fifteen years in the making, this book explores the origins of design fiction, and details the practical approach to assessing the consequences of decision making by creating tangible artifacts from possible futures. Design fiction opens up new conversations and considerations whilst augmenting existing, well-trodden research and foresight practices. 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it. Practice looks critically at how designers work towards (and sometimes against) social change within both a professional studio context and alongside social movements. Materiality focuses on the craft of graphic design; on language and typography, legibility, and illegibility, on the acts of speaking and making. Autonomy considers the emotional and relational aspects of graphic design, understanding that interdependence is intricately bound to any possibility for self-determination within and beyond design.\u003c\/p\u003e\n\u003cp\u003eFeaturing interviews with Philippe and Nancy Vermes, Sandy Kaltenborn, Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches, and Jenn Clamen and an introduction by Ian Lynam.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default 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\"\u003eDesign is broken. Young and not-so-young designers are becoming increasingly aware of this. Many feel impotent: they were told they had the tools to make the world a better place, but instead the world takes its toll on them. Beyond a haze of hype and bold claims lies a barren land of self-doubt and impostor syndrome. Although these ‘feels’ might be the Millennial norm, design culture reinforces them. In conferences we learn that “with great power comes great responsibility” but, when it comes to real-life clients, all they ask is to “make the logo bigger.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eThis book probes the disillusionment that permeates design. It tackles the deskilling effects provoked by digital semi-automation, the instances of ornamental politics fashioned to please the museum-educational complex, the nebulous promises of design schools. While reviving historical expressions of disenchantment, Silvio Lorusso examines present-day memes and social media rants. To depict this disheartening crisis, he crafts a new critical vocabulary for readers to build upon. What this exposé reveals is both worrying and refreshing: rather than producing a meaningful order, design might be just about inhabiting chaos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eWhat was once a promising field rooted in problem-solving has become a problem in itself. The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services, their work is compromised by a series of unruly external factors. If you see yourself as a designer without qualities; if you feel cheated, disappointed or betrayed by design, this book is for you.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":57803934630233,"sku":null,"price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/Set-Margins-What-Design-Cant-Do-1.jpg?v=1776162424"},{"product_id":"on-the-edges-of-graphic-design-from-a-z","title":"On the Edges of Graphic Design","description":"\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cdiv class=\"mb:md-0 md:order-1 md:col-6 mb-6\"\u003e\n\u003cp\u003e\u003cem\u003eOn the Edges of Graphic Design from A—Z—∞\u003c\/em\u003e celebrates the past, present, and future of alternative Graphic Design through the hands and minds of a multidisciplinary and international design community, their practices, and community-building experiences at A—Z Presents, the Berlin space for experimental Graphic Design.\u003c\/p\u003e\n\u003cp\u003eAssuming the form of an ‘Index for alternative Graphic Design’, the book offers a comprehensive view of the wide range of activities performed by a multitude of graphic designers and visual artists with diverse backgrounds, ages, and career standings over the past six years. It also looks ahead by exploring how a group of international designers envision the future of the discipline of Graphic Design.\u003c\/p\u003e\n\u003cp\u003eThe first part, A—Z, features all the projects, workshops, exhibitions, talks, and a wide range of activities and events initiated by A—Z, in alphabetical, cross-referenced entries. It includes contributions from designers such as Na Kim, Niklaus Troxler, and The Rodina, to name just a few, as well as a myriad of related topics, from “Asemic Writing” and “Rebellion Riso Posters Collab” to “Yellow Bench”, and over 100 other entries.\u003c\/p\u003e\n\u003cp\u003eThe second part, titled \u003cem\u003e—∞\u003c\/em\u003e, features 36 international designers, including April Greiman, Richard Niessen, and Loraine Furter, who were invited to envision the future of Graphic Design and how it could be enacted in a transdisciplinary space like A—Z. These contributions range from reflections on the body in digital space and AI, to interspecies relationships, and language viewed through different scripts, among many others.\u003c\/p\u003e\n\u003cp\u003eThe richly illustrated publication is designed and conceptualized by A—Z founder and curator Anja Lutz, who sees the book as a “meta-level for the continuous exploration of alternative thinking and practicing graphic design.” The book features an introduction by designer Jason Grant and a conversation between publisher Freek Lomme and Anja Lutz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916322705753,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsOntheEdgesofGraphicDesign-1.jpg?v=1788165396"},{"product_id":"through-witnessing","title":"Through Witnessing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003eThrough Witnessing\u003c\/em\u003e: Threading the critiquing, making, teaching of design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cspan class=\"\"\u003eThis book names and wrestles with design and institutional design education’s pseudo-neutral relationship with colonial capitalist world orders and what it means to teach and design today. It slowly weaves together ideas on designing as a mechanism of maintenance\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"\"\u003eand teaching against bureaucratic inertia\u003c\/span\u003e\u003cspan class=\"\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHow does design give form to social fictions? How does design and the professionalization of design schooling maintain the priorities of nations and capital?\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eEngaging in pedagogical expressions of rage, generosity, forgiveness, slowness, and chaos; contributions of lecture, essay and interview reflect on the weight of being, the possibilities and sometimes impossibilities towards un-doing and un-maintaining the enduring legacies of colonial powers.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916339319129,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsThroughWitnessing-1.jpg?v=1788165331"},{"product_id":"trojan-horse-exit-strategies","title":"Trojan Horse Exit Strategies","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTrojan Horse Exit Strategies - A compendium inside the belly of contemporary art institutions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInstitutional critique working inside-out: many practices!\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThrough historical analysis, philosophical inquiry, and contemporary artistic case studies, this book presents models and effects where artists, curators, and cultural operators work from within the very structures they seek to subvert. Drawing inspiration from the Trojan horse metaphor, it examines the efficacy in penetrating and transforming entrenched institutional practices, while exploring the psychological, political and tactical pathways of these interventions. At the heart of the book rest the reflections from those who have navigated this delicate and often risky path, following the imperative of a well-conceived exit strategy to maintain the integrity and impact of critical and cultural intervention.\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916398399833,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsTrojanHorseExitStrategies-1.jpg?v=1788166482"},{"product_id":"nothing-about-interior-architecture","title":"Nothing About Interior Architecture","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOften\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003edissident,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003esometimes adherent,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eis, in essence, indefinable because it is adaptive and fluid. Speculative or hands-on, this discipline\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eif we can call it that\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003edisplays all the ambivalences of our contemporary lifestyles: superficial and profound, profane and divine, present everywhere and nowhere,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eoften regarded as futile, even though it could nonetheless destroy the most beautiful of insides.\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eThis book brings together a variety of intellectual tools and\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003einsights\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003epolysemic and ambiguous, bespoke and improvised, ornamental\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand criminal,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003espanning\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003emedia, technology,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethe arts\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eand other,\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eoften undefined fields\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethat analyze\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ethe\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eimpact\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eof the discipline\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eon\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003econtemporary design. In the end, what makes\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eNothing About\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003echarming is that this inside\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003einsofar as it is still defined as such\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003e–\u003c\/span\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003ehas only the humble ambition of accompanying beings, both animate and inanimate, within their environment, like a friend who is never far away.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916405608793,"sku":null,"price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsNothingAboutInterior-1.jpg?v=1788165173"},{"product_id":"beyond-the-image","title":"Beyond the Image","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBeyond the Image - On Visual Culture in the Twenty-First Century\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eToday, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the twentieth century, the machine automated the hands of workers; in the twenty-first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic reproduction, the gaze is replaced by the stare of Internet users.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eYet, as the medium is pushed to its limit by capitalism, it reverses its characteristics. Another relationship with the medium–beyond post-truth and deepfake–is designed anew into digital culture. From the Kardashians to Donald Trump, from Pepe the Frog to Paris Hilton, the nihilism of the image is trending right now.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBeyond the Image\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an attempt at the revaluation of visual culture in the age of video monetization and artificial intelligence. Soon enough, the same eyes that are filled with the glow of the screen are also starting to see beyond it.\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916461445465,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsBeyondtheImage-1.jpg?v=1788165098"},{"product_id":"maisa-in-webland","title":"Maisa in Webland","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMaisa in Webland - Detouring UX Destinies\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhat does ‘user-friendly’ website mean if, on it, online behaviors like stalking, teasing, and ghosting — once considered peripheral — are now central to survival, care, and belonging? How to thrive without becoming an “Interdisciplinary Unicorn”: the state’s most beloved user-citizen fluent in multiple registers of production, optimization, and self-branding? How in this beautiful world is one supposed to log off, when surveillance and privacy erosion have been normalized? And how, oh how, could users possibly think of building the alternatives, when cool and cringe online acts, all activate the platform’s reward system: the unleashing of emoji-filled praise? How to resist the platform’s toxic seduction?\u003c\/p\u003e\n\u003cdiv\u003eHaunted by screenshots of early cyberfeminist websites and in dialogue with digital sages, web scripts, and business interests, media artist, web developer, and author Maisa Imamović embarks on a philosophical and practice-based crusade through the internet’s surface and its shadows. To expose the various ways of thriving online without surrendering to optimization, the book explores imperfect uses of perfect software, preservation of precarious web infrastructures, tactical content strategies, and experiments with autonomous financial systems — all wrapped in educational efforts to sustain criticality amid automation. Through these traversals beneath the scroll, Maisa finds her Webland: speculative, broken, and oftentimes, poetic infrastructure where logic destabilizes, binaries dissolve, and meaning evades monetization. But can a non-extractive internet exist beyond metaphor? Can poetry rewire protocol? Or will her sanctuary be absorbed into the very architectures it resists?\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916521410905,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsMaisainWebland-1.jpg?v=1788164961"},{"product_id":"citizen-professionals","title":"Citizen Professionals","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCitizen Professionals - Reclaiming Collective Spaces\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn civic actors in urban dynamics: urging shared ownership, the social value of autonomy, maintaining autonomy as intermediaries, as based on rigorous fieldwork!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn recent decades, citizens active in urban governance have taken up their roles as autonomous subjects, negotiating with governmental actors on the reuse of vacant buildings while representing the wishes of fellow residents to create self-managed communal spaces that are open to neighbourhood residents. They have appropriated vacant properties — and, where possible, constructed new buildings — in line with their own interests, those of civic groups, and the common good. They work to create affordable working, living, cultural and community places in an increasingly commercialised urban environment. In this publication, these civic actors are referred to as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ecitizen professionals\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(CPs).\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916642292057,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsCitizenProfessionals-1.jpg?v=1788164817"},{"product_id":"i-and-the-others-looking-for-the-connections","title":"I and the Others: Looking for the Connections","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCindy Moorman - I and the Others: Looking for the Connections\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003ci\u003eI and the Others\u003c\/i\u003e\u003cspan\u003e, the reader joins artist Cindy Moorman on a search for connections. Between people, ideas and forms. Eight different voices track their way through Moorman’s work, while exploring what it means to move between each other and the things around us. A gathering in book form. With refreshments, Hannah Arendt, Alice in Wonderland, a contribution by philosopher Marli Huijer and the occasional conga line. A collective monograph in which art, text and encounters come together, in a quest that invites you to think along and keep your eyes open.\u003c\/span\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916732404057,"sku":null,"price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsIandtheOthers-1.jpg?v=1788164682"},{"product_id":"when-words-fail","title":"When Words Fail","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhen Words Fail - On Practice-Based Art, Design and Education\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOrientations towards and tools for visual and textual meaning–through art and design–in the contemporary blur.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe visual and textual contributions in this volume take shape from a series of questions that place at the center of reflection the role of artistic and design practices in the production of knowledge. What tools can we adopt when words are no longer sufficient to describe what surrounds us? How can we construct new languages and new imaginaries capable of giving form to experience, uncertainty, and the complexity of our present? What does it mean today to produce knowledge through practice, at a historical moment when the boundaries between discipline and action, between theory and project, between art and life are becoming increasingly blurred? How do artists and designers use the tools of their practices to question reality, deconstruct dominant narratives, and propose alternative perspectives?\u003c\/p\u003e\n\u003cp\u003eThe volume gathers and weaves together the works and writings of more than one hundred artists, designers, scholars, and thinkers who, through different approaches, languages, and sensibilities, explore the possibility of generating knowledge through image, gesture, form, and action. The aim is to shed light on how visual practices can not only represent the world but also have an impact on it, activating processes of situated, critical, and transformative knowledge.\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916781719897,"sku":null,"price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsWhenWordsFail-1.jpg?v=1788164579"},{"product_id":"commentary-on-approximations-to-the-object","title":"Commentary on Approximations to the Object","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e“I shall corroborate the gap between objects and texts, interrogate the material order that design has imposed upon language, and compose a record which, though partial and far from infinite, will be profoundly significant for two fields that may seem merely adjacent—design and literature—yet which, upon closer inquiry, reveal themselves as mutually dependent, should one have the resolve to interrogate the very grounds of their meaning.”\u003c\/em\u003e\u003cbr\u003e— Edmund Stone, Approximations to the Object, 1827\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book provokes its reader. Aimed at bold designers, typographers, writers, and curious minds who thrive on provocation, Commentary on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eApproximations to the Object\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eleads to a fundamental question: how does the flux between design and literature produce a distinct engagement with meaning?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBernstein’s Commentary on the oeuvre of Approximations to the Object, a nineteenth-century treatise attributed to Edmund Stone, explores the possibility that certain material objects may have prefigured particular literary modes of understanding. As long as this thesis persists, the commentary keeps the reader on edge, engaging in its own material logic, only to diverge from it—reaching a peak of utmost emancipation, ultimately to: comment on it.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHarnessing historical gaps, predication, speculation, and the shifting boundaries between objects and texts, Bernstein’s textual and design inferences are far from incidental deviations. They propel the commentary into something beyond a mere study of influence, raising intriguing questions: What other objects might have influenced certain literary forms? How can the interplay between design and literature uncover the structures that shape interpretation and meaning? Why has Stone’s treatise remained overlooked for so many centuries?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIt is best read in nearly one sitting.\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58916957159769,"sku":null,"price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsCommentaryonApproximationstotheObject-1.jpg?v=1788164481"},{"product_id":"conspiratorial-design","title":"Conspiratorial Design","description":"\u003cp class=\"p1\"\u003eConspiratorial Design: Information design for the bigger picture\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book deals with Design and Conspiracy Theories, two things that are often thought of as opposites. Design is generally perceived as something that simplifies and targets the essence of things; something that should say the Truth. Conspiracy theories instead are far-fetched and create confusion. Design is expected to be able to bypass false rhetorics because its very premise is to deal with how things work in reality. However, what is argued in this book is that design and conspiracy theories mirror each other. They act with similar goals and they adopt comparable representations. They intersect in their practices and in their artifacts because they share a common ground at their fundaments. This common ground is \u003c\/span\u003e\u003cem\u003eConspiratorial Design.\u003c\/em\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58917475811673,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/SetMarginsConspiratorialDesign-1.jpg?v=1788164302"}],"url":"https:\/\/redy.shop\/collections\/publisher-set-margins.oembed?page=2","provider":"Redy.","version":"1.0","type":"link"}