{"product_id":"revue-faire-49-lawrence-weiner","title":"Revue Faire #49 – Lawrence Weiner","description":"\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cdiv class=\"product-block mt-product-block\"\u003e\n\u003cdiv class=\"rte\"\u003e\n\u003cp\u003e\u003cspan\u003en°49 — Lawrence Weiner: We Are Ships at Sea, Not Ducks On a Pond\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy Joris Kritis, with interviews with Nora Turato and Linda van Deursen\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-block mt-product-block\"\u003e\n\u003cdiv class=\"rte\"\u003e\n\u003cp\u003eLawrence Weiner’s use of graphic design has always been of fascination for graphic designers. ‘What makes Weiner’s work seductive to graphic designers is his resolutely non-apologetic method of displaying words without need for any explanation.’* But in this text a comparative analysis is made of different voices about Weiner’s use of graphics \u0026amp; typography.\u003c\/p\u003e\n\u003cp\u003eNext to a speculative history of Weiner’s formal language, two interviews—with graphic designer Linda Van Deursen and artist Nora Turato—pay attention to Weiner’s enduring legacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":58937294684505,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0965\/1123\/0297\/files\/EditionsEmpireRevueFaire49_LawrenceWeiner-1.jpg?v=1788274422","url":"https:\/\/redy.shop\/products\/revue-faire-49-lawrence-weiner","provider":"Redy.","version":"1.0","type":"link"}