An Atlas of Es Devlin
Es Devlin’s protean work is rooted in a life-long practice of reading and drawing. From sketches in the margins of texts, be they poetry, drama, song lyrics, opera libretti, climate reports or endangered species lists, emerge the technically advanced, collectively imagined universes for which she is globally renowned. Fragile miniature paintings, paper cuts and small mechanical cardboard models form the seeds of some of the most iconic, large-scale, multi-disciplinary cultural manifestations in recent times, from public sculptures and installations at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and the Lincoln Center, to kinetic stage designs at the Royal Opera House, the Royal Ballet, the Metropolitan Opera, La Scala and the National Theatre, as well as Olympic Ceremonies, Super-Bowl half-time shows, and monumental illuminated stage sculptures for Beyonce, The Weeknd, U2, Rosalìa, Dr Dre and Kendrick Lamar.
Devlin’s work is at once deeply personal and inherently collective. Over the past decade her art practice has engaged with biodiversity, linguistic diversity and collective AI-generated poetry. She views the audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works.
Published in association with a retrospective exhibition at Cooper Hewitt, Smithsonian Design Museum in New York, An Atlas of Es Devlin is a unique, sculptural volume of over 900 pages, including foldouts, cut-outs, and a range of paper types, mirror and translucencies, with over 700 colour images documenting over 120 projects spanning over 30 years, and a 50,000 word text featuring the artist’s personal commentaries on each art work as well as interviews with her collaborators including Hans Ulrich Obrist, Bono, Benedict Cumberbatch, Pharrell Williams, Carlo Rovelli, Brian Eno, Sam Mendes, Alice Rawsthorn and Abel ‘The Weeknd’ Tesfaye. Each book is boxed and includes a die-cut print from an edition of 5000.
Thames & Hudson was founded in 1949 by Walter and Eva Neurath. Their passion and mission was to create a ‘museum without walls’ and to make accessible to a large reading public the world of art and the research of top scholars. To reflect its international outlook the name for the company linked the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east, one west, suggesting a transatlantic connection.
Today, still an independent, family-owned company, Thames & Hudson is one of the world’s leading publishers of illustrated books with over 2,000 titles in print. We publish high-quality books across all areas of visual creativity: the arts (fine, applied, decorative, performing), architecture, design, photography, fashion, film and music, and also archaeology, history and popular culture. Our children’s books list is also expanding. Headquartered in London, we have a sister company in New York (Thames & Hudson Inc.). Since 1970, Thames & Hudson Australia has operated from Melbourne as both an originating publisher and sales and distribution provider. We also have subsidiary sales and distribution companies in Hong Kong (Thames & Hudson Asia) and Paris (Interart).
Extent: 866 pp
Format: plc (no jacket)
Illustrations: 765
Publication date: 2023-10-19
Size: 20.0 x 20.8 cm
ISBN: 9780500023181
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