Books ›Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Bye Bye Binary, N° 02
Books ›Bye Bye Binary, N° 02

Bye Bye Binary, N° 02

Store Collection Surfaces Utiles
€17,00

Bye Bye Binary 02: Archives typo·graphiques du futur.

The second issue of Bye Bye Binary, a magazine published by the Franco-Belgian collective dedicated to exploring inclusive and post-binary language through experimental typography and graphic design. Founded in 2018, Bye Bye Binary develops new graphic and typographic forms adapted to the French language, including custom characters, ligatures, midpoints, and connecting elements that challenge conventional systems of writing and representation.

While the first issue established the collective's political and collaborative approach, this second issue, Archives typo·graphiques du futur (Typographic Archives of the Future), examines the role of archives in documenting collective struggles, preserving histories, and imagining alternative futures. Through essays, visual research, and experimental type specimens, contributors explore relationships between typography, activism, identity, and the body.

Highlights include a reconsideration of the collective's previously unpublished 2021 text “Corps militants,” connecting feminist protest signs, Afro-feminist collage, trans symbols, and Unicode; designer Clara Balaguer reflecting on her 2015 publication Filipino Folk Foundry; a manifesto by Sai Bellier and Leœ Lacape advocating for queer and decolonial typographic neutrality through maximalism and ornament; and new connect-the-dots compositions by Sophie Cure. Two type specimens present BBB Love & Rage through a patchwork of excerpts from writers and cultural figures including Leslie Feinberg, bell hooks, and Sara Ahmed.

Throughout, the magazine embraces multiple forms of legibility, using experimental typography to disrupt reading conventions and amplify different voices.

Surfaces Utiles brings to the fore artistic and graphic practices that play with the limits of visual representation of written language and question the relationship between the notions of legibility and visibility.

With each publication, Surfaces Utiles seeks alternative economic models for the publishing industry in complicity with its actors, especially by appropriating and hacking standardized printing processes. With similar mindset, Surfaces Utiles publishes La Perruque, a 1 × 90 centimetre-long magazine printed in the margins of regular documents, showcasing nonstandard type specimens.

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Language: French
Number of pages: 160
Dimensions: 4.3 × 7 inches
ISBN: 978-2-93-111013-3

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