Eyes are never just eyes. They are symbols of attention, curiosity, emotion, memory and point of view. They are also one of the most direct images in visual culture: simple enough to be instantly recognised, but open enough to carry endless meanings. Redy.’s Eyescapes Poster Collection was created around this familiar and powerful symbol, inviting eight different Greek designers and illustrators to explore the eye as a starting point for personal expression, graphic storytelling and contemporary poster design.
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The collection includes eight artworks: Me Myself & Eye, Petals & Pupils, The Eye (GR), Ritual Unity, Eye See You, Shared Vision, Sunday Table and Eyeconic. Each piece begins with the same central idea, but moves in a different direction. Some works are playful and cheeky, some feel botanical, some look towards Greek landscape and culture, while others explore togetherness, imagination, typography or everyday rituals. The result is a large and diverse poster series that feels unified without becoming repetitive.
The eye becomes a shared language, but every artist speaks it with a different accent.
The creative concept behind Eyescapes is closely connected to Redy.’s love for visual culture. The project treats the eye not only as an illustrated motif, but as a metaphor for how we look at the world. Every designer brings a different way of seeing: humorous, surreal, symbolic, decorative, emotional, graphic or narrative. In that sense, the collection is not only about eyes as images. It is about perspective. It asks what happens when several creative voices respond to the same theme, and how one subject can open up into many different visual worlds.
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This is where the scale of the project becomes important. Eyescapes is not a single artwork or a small decorative series. It is a collaborative collection of eight different designs, bringing together a new generation of Greek illustrators, designers and visual artists around one shared brief. For Redy., this sense of community is central. The collection functions almost like a small exhibition in poster form: a curated group of voices, each with its own personality, gathered around a common visual idea. It reflects the way Redy. works with Greek creatives, not just as individual collaborators, but as part of a broader contemporary illustration scene.
The collection functions almost like a small exhibition in poster form: a curated group of voices, each with its own personality.
Each artwork expands the theme in its own way. Me Myself & Eye by Danaillama uses humour and bold colour to talk about self-reflection in the digital age, turning the act of looking at oneself into something playful and sharp. Petals & Pupils by Chrysiida Rouni brings together flowers and watchful eyes, creating a surreal garden where nature becomes alert, expressive and slightly strange. The Eye (GR) by Philippos Avramides turns the motif towards Greece, using warm colours, cacti and Mediterranean references to connect visual perception with place, memory and cultural identity.
Other works approach the eye through human connection. Ritual Unity by Little Stone Studio uses figures, warmth and a watchful presence to explore harmony, togetherness and shared rituals. Shared Vision by Natalie Mavrota develops the theme even more directly, using contrast and radiating forms to suggest collective insight and the power of seeing together. In these pieces, the eye becomes less about individual observation and more about community: a symbol of attention, protection and shared experience.
The collection also leaves room for graphic play and everyday joy. Eye See You by Studio Redy. turns the theme into a bold typographic pattern, mixing words and eyes into a bright visual statement. Sunday Table by Studded Betrayal approaches the eye through a colourful still life of fruits, flowers and a cheeky eye vase, transforming the table into a scene of pleasure and domestic imagination. Eyeconic by Adamantia Chatzivasileiou brings dynamic characters, shapes and scattered eyes into a lively composition about creativity itself. Across the series, the eye is never fixed. It watches, blooms, dances, reflects, jokes, gathers and imagines.
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The design approach is intentionally broad. Rather than forcing the artists into one visual system, Eyescapes allows different styles to sit side by side. This gives the collection its energy. There is illustration, typography, symbolic composition, pattern, character-based work and playful visual storytelling. The common theme creates coherence, while the different approaches keep the project alive. As wall art, the posters can work individually, but they also become stronger when seen together, revealing how flexible a single visual motif can be.
The collection is available in three formats: 13 × 18 cm, 30 × 40 cm and 50 × 70 cm. This range allows the artworks to exist as small collectible cards, classic wall posters or larger statement pieces. Printed with DP HP Indigo Press on Old Mill Bianco natural paper, the series balances vivid colour with the texture and warmth of a quality paper stock. The 13 × 18 cm card format uses 300 gsm paper, the 30 × 40 cm poster is printed on 250 gsm, and the 50 × 70 cm poster on 130 gsm. Made in Greece, the production choices support the collection’s identity as a locally developed design project with an editorial, collectible character.
It is a collection for people who love posters not only as decoration, but as visual ideas.
Eyescapes brings together many things that define Redy.: illustration, collaboration, humour, colour, Greek design and the pleasure of looking closely. It is a collection for people who love posters not only as decoration, but as visual ideas. For people who collect images, recognise themselves in small graphic details, and enjoy seeing how different artists can turn the same subject into completely different worlds. In the end, Eyescapes is not just a series about eyes. It is a series about ways of seeing.
